Tengboche monastery is an important centre for Buddhist teaching near Chomolungma / Mount Everest. Kappa Kalden trained as an artist in Tibet, but came to Khumjung after the Chinese invasion. Louise Hillary described visiting his house in 1966:
“Kappa Kalden was sitting cross-legged in a bay window with a canvas in front of him . . . I loved to watch him at work. His broad Mongolian face with its inscrutable expression changed rarely—only when something really amused him would he toss back his head and roar with uninhibited laughter. A long thick pigtail stretched down his back and his old and slightly unsteady hands seemed to come to life when he held one of his fine brushes.”
A thangka, also known as tangka, thanka or tanka is a painting on silk with embroidery, usually depicting a Buddhist deity, scene, or mandala of some sort. The thankga is not a flat creation like an oil painting or acrylic but consists of a picture panel which is painted or embroidered over which a textile is mounted and then over which is laid a cover, usually silk. Generally, thangkas last a very long time and retain much of their lustre, but because of their delicate nature, they have to be kept in dry places where moisture won’t affect the quality of the silk. It is sometimes called a scroll-painting.
These thangka served as important teaching tools depicting the life of the Buddha, various influential lamas and other deities and bodhisattvas. One subject is The Wheel of Life which is a visual representation of the Abidharma teachings (Art of Enlightenment).
Thangka, when created properly, perform several different functions. Images of deities can be used as teaching tools when depicting the life (or lives) of the Buddha, describing historical events concerning important Lamas, or retelling myths associated with other deities. Devotional images act as the centerpiece during a ritual or ceremony and are often used as mediums through which one can offer prayers or make requests. Overall, and perhaps most importantly, religious art is used as a meditation tool to help bring one further down the path to enlightenment. The Buddhist Vajrayana practitioner uses a thanga image of their yidam, or meditation deity, as a guide, by visualizing “themselves as being that deity, thereby internalizing the Buddha qualities (Lipton, Ragnubs).”
description from Wikipedia.
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